What I’m Writing in Spring 2017

It may not feel like it, but spring is here! What are your plans?

Here’s what I’m up to.  I’m writing a comedy screenplay about a spokesman for a dystopian government. I call it Utopia PR. I’ve got the plot outlined and have written about 35 pages. That means I’m about a third of the way through (think of each screenplay page like a minute of a movie). I’m hoping to finish the script over the next couple months and enter it into a contest or two. It’s been a lot of fun to let loose and have a laugh, especially given the current state of the world.

As for my third novel, The Wanderer and the New West, I’m afraid there’s not a lot new to say. The search for a literary agent continues. I’ve received definite interest but I’m waiting to hear more. I really can’t wait to get the book into your hands! I’m hoping to decide in the next few months whether to take matters into my own hands and self-publish, as I did with my previous novels.

Speaking of which, happy to report that sales have been up on We, The Watched and Divided We Fall, especially since the presidential election! Seems that ads about dystopian governments are getting clicks these days. You may have seen that sales of George Orwell’s 1984 are way up, too, so maybe my books are getting some kind of Orwellian bump. Thanks, George!

George Orwell, presumably giving We, The Watch free advertising.
George Orwell, presumably giving We, The Watched free advertising. Photo Credit: BBC

Kirkus Reviews: Divided We Fall Delivers on Promise of ‘Riveting Debut’

I’m excited to announce that Kirkus Reviews has followed up its rave review of my novel WE, THE WATCHED with a stellar review of the sequel, DIVIDED WE FALL.

You can check out the full critique over at Kirkus, but here’s a quick taste:

… a gripping dystopian narrative … Bender’s sequel is a worthy delivery on the promise of his riveting debut.

A novel about a scheming president offers an excellent read for those who love thrillers or 21st-century history.


If you haven’t read DIVIDED WE FALL yet, check out this page for a list of stores where you can buy it in digital ($3.99) or paperback ($13.99). You can also get WE, THE WATCHED for FREE by joining my mailing list! And check out “Fire Eyes,” a short story that ties into the series.

DIVIDED WE FALL picks up on the events of WE, THE WATCHED. With the nation under attack, Agent Eve Parker must find and arrest her fiancé, who has lost his memory and become a revolutionary named Seven. However, when Eve learns more about the President’s plan to broaden citizen surveillance, she begins to question just who is right.

I hope you enjoy the book and look forward to reading your review!

We, The Watched acclaimed by Kirkus Reviews

I felt especially honored today to receive a glowing review of my debut novel, We, The Watched, from Kirkus Reviews, a highly respected institution in the book publishing world.

Check out this amazing excerpt:

Fueled by a brilliantly nebulous backdrop, this briskly paced, action-packed novel is undeniably a page-turner of the highest order…

A deeply allegorical and powerfully thought-provoking dystopian must-read.


We, The Watched coverHead over to Kirkus to read the full review! Then, if you haven’t read it yet, check out this page for a list of stores to buy We, The Watched in digital or paperback. You can also get the eBook for FREE by joining my mailing list!

Told from the unique first-person perspective of an amnesiac, acclaimed novel We, The Watched places the reader in the shoes of Seven as he struggles to go unnoticed in a surveillance society and discover his true identity. Seven enters a dystopia where the government conducts mass surveillance and keeps a Watched list of its own citizens. The Church has become as powerful as the State, and people who resist are called Heretics and face execution.

I want to address the reviewer’s one criticism about sexism on the part of the protagonist. The reviewer makes a fair point here, and it’s something that I consciously improved upon in the sequel, Divided We Fall, and my writing since then. I definitely take these kinds of concerns seriously, and I’m glad this criticism did not stop the reviewer from recommending We, The Watched as a must-read.

Hope you enjoy We, The Watched — I can’t wait to read YOUR review!

Revealed: The street artist who tagged Heretical symbols all over the Capital

THE CAPITAL — You see it painted on road signs and the walls of train stations and government buildings: A black visage with fiery red eyes.

wtw face
The so-called “Fire Eyes,” dissident symbol of Heretics in the Underground.

This graffiti, done with a stencil and spray paint, has long fueled the Heretics’ hatred for our benevolent government. But until today we did not know the perpetrator.

Today, the administration of President William Drake announced that the Guard have learned the graffiti scoundrel’s name: Ignatius.

“We will find Ignatius,” said a spokesman for the Guard. “When we do, the Heretic will face charges of treason and Heresy. These offenses are punishable by death.”

It is not known where Ignatius resides at this time, and the street artist seems to have gone quiet of late, the spokesman said.

“He will turn up again,” claimed the spokesman. “Heretics like Ignatius just can’t resist. When he does, the Guard will be waiting.”

Follow Ignatius in “Fire Eyes,” the new short story by Adam Bender.

Cover of "Fire Eyes," a short story by Adam Bender
“Fire Eyes” – The new short story by Adam Bender

Set before the events of WE, THE WATCHED and DIVIDED WE FALL, “Fire Eyes” reveals the man behind the street art seen throughout the acclaimed dystopian sci-fi novels. The story, inspired by real political street art by Banksy and others, makes a great entry point for new readers and provides new perspective to fans of Adam Bender’s books.

Like his novels, this short story by Adam Bender exposes a current political issue in an exciting speculative fiction adventure, carrying on the tradition of dystopian classics 1984 by George Orwell and Fahrenheit 451 by Ray Bradbury, as well as more recent blockbuster novels like The Hunger Games by Suzanne Collins.

“Fire Eyes” is free to read on Smashwords! Also available from Apple, Nook, Kobo, Scribd and Inktera.

You can also read the story below via Scribd.

Indie author’s guide to adapting your novel into a screenplay

Film for a movie

I love films. I write novels. So I’ve always wanted to give screenwriting a go.

I began by reading some great books, including Save The Cat by Blake Snyder and The Screenwriter’s Bible by David Trottier. I soon plan to continue the learning process at the end of February through a free online course via Futurelearn and the University of East Anglia.

There’s nothing like hands-on experience, though, so while learning I figured I’d dive right in. I purchased Final Draft, which is the screenwriting software used by most of the pros.

As an author, I guess I have a small advantage jumping right into screenwriting. I’ve often been told that my writing style in novels and short stories is cinematic. I think this is because I tend to keep scenery descriptions short — just long enough to evoke an image — and then jump into action and dialog.

However, screenwriting is still a different language to writing a novel, with its own syntax, vocabulary and even indentation styles! I knew going in that the hardest part would be learning the actual style and formatting for screenplay.

Screenwriting software like Final Draft helps, of course, since it automatically keeps indentations correct and guesses when you’re writing dialog or a scene heading. But there’s still a lot it won’t automatically do for you, from things as basic as capitalizing a character’s name the first time he appears, to more complex questions like the proper style for a quick series of flashbacks. If you couldn’t spell, you wouldn’t rely on auto-correct, right? It’s much the same here — you still need to have some knowledge to be sure the software is doing the right thing.

So that I could focus on getting the format right, I decided not to spend a lot of time creating a new story from scratch for my first screenwriting effort. Instead, I chose to adapt my first novel, We, The Watched.

Cover for We, The Watched by Adam Bender

We, The Watched follows an amnesiac who wakes up in a dystopia. Told from a first-person present perspective, the story places the reader in the shoes of Seven as he struggles to go unnoticed in a surveillance society and discover his true identity.

It seemed like an easy one to turn into a screenplay. The way I figured it, I could basically just move the book over scene by scene. I imagined fuzzy shots through the lenses of surveillance cameras and exciting gun fights between the Underground rebels and the government police force known as the Guard.

However, when I started thinking about the movie in a traditional three-act structure, I immediately found pacing problems in my story. They were scenes that I maybe got away with in the novel, but now seemed extraneous when I was trying to cram the book into a two-hour film. In a screenplay, each page represents about one minute of screen time. So while novels can be anywhere from 200 to 1000 pages, a spec screenplay has got to be about 100 to 120. And you’re not writing with paragraphs that fill the page with text. Thanks to all the indents, loose line spacing and Courier New 12-point, there’s actually quite a bit of white space on each page!

Rather than freak out about all this, however, I looked at the project as a fun puzzle … and an opportunity! We, The Watched was my first novel, and while I am proud of it, there are things about writing stories now that I did not know then. So it was actually great fun to analyze each scene and pull out only the most essential details and dialog.

I ended cutting a few scenes and even a few minor characters (sorry, Eric). I also massaged the logic of a few bits, like how the hero meets the Underground for the first time. It wasn’t all cuts and edits. I added a few bits between characters to add more tension and amplify character emotions.

Another challenge was that I didn’t want to use voice-over narration, even though the novel is told in first-person present tense. I had to think of ways to convey the hero’s emotions through his expressions, actions and dialog. While inner monologue can totally work in a book, it can come off as a bit lazy in such a visual medium as film. This proved not to be an impossible task; I just had to be creative — which is the whole point, right?

While I ended up having quite a bit of fun every time I sat down to write, I must admit that I had trouble keeping on track. For most of this time, I was simultaneously writing a novel (also coming soon!) and working full-time as a journalist. I’d given myself a loose “finish by end of 2015” deadline, but I discovered this wasn’t great motivation for most of 2015.

What ended up really helping was finding a competition in which to enter the script. It was December when I learned about a “first ten pages” contest. The script was mostly done, but I hadn’t spent much time reading through it to work out the kinks. When I heard about the competition, I thought to myself, “Hey, I can definitely spend time polishing up the first ten pages of my script!”

Lo and behold, just focusing on tidying up the beginning motivated me to get the rest of the screenplay in order, too. You know what? I have no idea how well I’ll do in this competition, but it doesn’t really matter. Having a formal deadline gave me the encouragement I needed to finish.

Well, anyway, thanks for reading my ramblings! Happy to answer any questions in the comments below, and I hope to share the screenplay (and hopefully one day a movie!) with you soon!

 Get We, The Watched (e-book) for free!