Read about the next direction of matchmaking apps – exchanging lives! A reluctant groom leaves his bride at the altar by trading places with a man who wants to be married. A series of testimonials by the wedding party shows how LifeTrade can give everyone a “happily ever after.”
I wrote “A LifeTrade Wedding” as a fictional advertorial for the trading-places-as-a-service (TPaaS) introduced in a previous short story. I had a lot of fun writing it and am super excited to share it with you!
As with all my short stories, it’s completely free to read. If you like it, please leave a comment below or a review where you download it.
After the great Snyder / Capullo run, I was skeptical of a fresh creative crew coming on board, but the new team of King and Finch really works! It’s a bit of a slow start with the initial “Rebirth” comic (which happens to be co-written by Snyder), but I raced through Batman #1-6, enjoying every minute.
King packs in the action without losing the intelligence of a good Batman comic. And whereas I felt Snyder sometimes gets a little excessive with trying to be epic, King’s narrative approach feels a little leaner and more streamlined. Finch’s art is also exceptional — it just has a real classic feel with action that’s easy to follow.
I also loved King’s superb work on The Vision, so I’m excited to find out where he takes Batman next!
Wow, Tom King knocks it out of the park again in the second half of his Vision story. This book’s got everything — a clever premise, memorable characters, beautiful art, robots with feelings… If you like sci-fi, even if you don’t necessarily consider yourself a comics fan — you owe it to yourself to read this book. King is quickly becoming one of my favorite writers in comics today.
No need to have any background on The Vision, though you’ll definitely want to start with The Vision, Volume 1: Little Worse Than A Man. Maybe watch the second Avengers movie if you want a quick take on his origin, but not necessary.
A fresh spin on Superman, this mini-series captures what it’s like to grow up feeling like an alien. It gives the Kryptonian a humanness that often gets left out of stories about the Man of Steel. The artwork varies in style with the tone of the story, showcasing some of the best artists in comics today.
The hardcover edition is beautifully presented with vivid colors and interesting extras showing original sketches and layouts. One complaint with that edition, however, is that occasionally part of the image and even text gets caught in the fold due to the way the pages are bound together.
Volume 3 loses some of the momentum of previous books, with each issue focusing on flashbacks to flesh out the backgrounds of various characters. These characters needed more fleshing out, so it’s good to get to know more about them. Also, the issues about the robots characters are particularly clever. But like season two of Lost — when it took many episodes to resolve a single, short event — this book doesn’t do much to resolve the cliffhangers from Volume 2.
Of course, it’s hard to nitpick a book that looks this good. Nguyen’s watercolors shine once more, transporting the reader to a fully envisioned sci-fi universe. And Lemire continues to do a great job mixing action, humor and the bittersweet.
Just don’t come into this one expecting much progression of the main plot.
With the winter holidays nearly upon us, I’d been thinking about what gift I could give my awesome readers. And then… it suddenly occurred to me! “Hey, I’ve got this great unpublished short story called Invasion Day!”
On his tenth birthday, a boy living on the moon asks his grandpa about the blue planet glowing in the forever-night sky, and why they live the way they do.
I wrote this story earlier this year, based on a several-years-old idea from my notes, and inspired by the writing of one of my favorite authors — the great Ray Bradbury.
You can read the eBook free on Smashwords and other online retailers including Apple, Barnes & Noble, Kobo and Scribd. I’d love to hear your thoughts, so please leave me a review when you’re finished.
So here’s an end-of-summer jam you may not have heard. It’s “El Matador” by the band Semisonic. Yeah, those guys who did “Closing Time” and “Secret Smile.” This one is off their severely underrated follow-up, which was their final LP as a group.
It’s hard to believe summer is coming to an end. Also hard to believe this was my first full American summer since 2011. My wife and I moved to Australia at the start of summer 2012, which meant that it was winter there. We came back at the end of (American) summer 2015, got a lick of the sun, then dove straight into the autumn leaves.
I’ve had a productive year since returning to Philadelphia. After regaining my bearings (I can order a “coffee,” and no one asks what kind!), I spent the first few months doing freelance work for Technical.ly Philly and a few other places. I made a brief sojourn to India (and wrote a tech story about it). In March, I got a full-time gig at Communications Daily as their Philly-based states reporter.
Lately, I’ve been looking with anxiety at my long-sleeve shirts. Soon I will get/have to wear them. We’re racing toward winter and the year 2017. I don’t know exactly what the new year will hold, but my aim is to make it a big one. As Semisonic sings in their end-of-summer classic: “Time keeps pushing me on now, and I’ll ride this wave to the end.”
P.S. If you like my novels, check out the show Mr. Robot. It’s a tech-fueled dystopian rush.
When Adam Bender’s not writing, he’s reading. Or doing other stuff, maybe. I mean, he can’t just be reading or writing all the time!
But I digress (and switch suddenly to first person). Here is a selection of my latest book reviews on Goodreads. If you’re a Goodreads user, please follow me to keep updated on what I’m reading. You can even review my books if you want! The shoe is on the other foot now, eh?
Hm, that’s a weird expression. Oh well. Without further ado, here are three books about totally messed-up possible futures for the human race! Thanks for the nightmares, Blake Crouch, Brian Wood and Warren Ellis.
Pines, book one of the Wayward Pines trilogy, is a fast-paced thriller with a dystopian twist. The writing is lean with short paragraphs and descriptions that wouldn’t look out of place in a screenplay (Come to think of it, that probably made the story very easy to adapt for TV). And while not totally original, it’s undeniably fun.
Crouch acknowledges the influence of Twin Peaks on his novel, saying that he wished to recreate the feelings experienced when he watched the David Lynch show as a boy. It’s obviously a big influence (right down to the name of the town — whoever named “Twin Peaks” could have easily named “Wayward Pines,” too). But I was also reminded a lot of the Wool series, particularly the explanation for what’s going on. There’s also some elements that seemed ripped from Tarantino, like the Kill Bill-esque nurse in old-fashioned uniform wielding big syringe (of course, Tarantino probably ripped this off of something else). But even if Crouch is taking elements from other creators, I must admit that I admire his taste in influences.
Look, this book isn’t going to be on a list of best American literature, but I can’t deny I had a lot of fun reading it. It’s not overly time-demanding, and I even read it free through Amazon Prime. Next time you need a quick dose of Twin Peaks-y dystopia, you could do worse than the Wayward Pines series.
A fast-paced introduction to an exciting dystopian future where America has entered a second civil war. As epic as that sounds, Wood keeps the focus on character to hook the reader in this graphic novel from Vertigo. It all feels very current, too, in light of today’s splintered politics.
Volume 1 just gives a taste of the overall story and feels very much like the introduction. It’s gripping all the same and left me excited to read more. I’ll definitely be continuing this series.
I’d tell you what it’s about, but I think the author would rather you find out for yourself. This is one of those graphic novels where you don’t quite know what’s going on until the end, and even then you’re kind of like, “Well that’s messed up.”
I do have to give the creators credit for this — I read this in one sitting. Despite all the technical jargon coming out of the characters’ mouths, Injection never gets bogged down with a lot of exposition. And the artwork kept my eyes moving from panel to panel. But would I read Volume 2? I don’t know. Maybe if I saw it at the library.
It might be that none of the characters are that likable. They certainly have distinct voices, but … I found it difficult to really sympathize with or get behind anyone.
A warning for those sensitive to violence/gore: this book probably isn’t for you. It’s not that there’s a lot of action, really, but when the knives come out, they REALLY find their target, if you see what I’m saying.
If you’re a fan of Ellis and Shalvey’s excellent Moon Knight run, you might want to give this a go. But you may end up wishing you were reading a new volume of Moon Knight.
Well, that’s the end of today’s edition of Adam Bender reads … If you’ve read any of the above books, I’d love to hear if you agree or disagree with my reviews in the comments below! Or let me know what books you think I should read next!