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Tag: Saves The Day

My top rock albums of 2013

Wow, there goes another great year of music! There were some great comeback albums (Saves The Day) and at least one big disappointment (MGMT). Today, the last day of December, I thought I’d highlight my favorite LPs of the year.

Please keep in mind this is not a definitive “Best of 2013” list since there was no way I could have listened to every single album out there. Also, my tastes are mainly within the indie and alternative rock realm. In other words, just take these recommendations!

Saves The Day

This eponymous release was the Saves The Day album I had been waiting for. Combining the bright spunk of early 2000’s hit Stay What You Are with the mature soundscapes of its underrated followup In Reverie, this is 21st Century pop punk at its best. Read my full review here.

Cloud Control – Dream Cave

Cloud Control play sunny harmonies against dark grooves on their mesmerizing second album. That might sound heavy but rock anthem highs like singles “Scar” and “Happy Birthday” prove that this is a band that wants to have fun, too

Snowden – No One In Control

Haunting synths and echoing vocals take the listener on a journey. Hope shines through the gray in the catchy and immediate “The Beat Comes.” While the brilliance fades in the second half, the strength of the first five tracks more than cover the price of admission.

Minor Alps – Get There

Matthew Caws (Nada Surf) and Julianna Hatfield (Blake Babies, Some Girls) join forces to spellbinding effect on this excellent debut. Side projects often disappoint but Get There showcases a pair of rejuvenated musicians performing at the top of their game.

The Dodos – Carrier

While they have always showed talent, The Dodos demonstrate growth through control on their most recent LP. Carrier conveys tragedy and triumph through tight guitar-and-drum rhythms and powerful lyricism.

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Music Review: Saves The Day

The new album by Saves The Day might be the most fun record I’ve heard all year.

Saves The Day

On their new self-titled album, the New Jersey band brings wave after wave of infectious pop punk. On first play it’s all sunny and sweet, but repeated listens reveal honest lyrics about lost-and-found love and run-ins with racist drunks (see: “Xenophobic Blind Left Hook”).

It’s all over in just over 30 minutes, but Saves The Day pack a lot into these 11 tracks. It’s not easy to write a three-minute song that actually feels complete–with a few verses, chorus and bridge–but these boys seem to pull it off effortlessly. There’s not a dud on the record and when it’s over you want to play it again.

I hadn’t seen it before, but singer/songwriter Chris Conley reminds me a lot of John K. Samson from Canadian indie darling, The Weakerthans.  Both Conley and Samson come from a punk background, and yet both stand apart from others in the genre with clever, observational lyrics that fit big literary words around instantly catchy hooks.

As someone who first heard this band in high school (back in the early 2000s), it’s very cool to see Conley has matured so much as a songwriter. Saves The Day isn’t writing exactly the same kind of songs they used to, but they have harvested the best elements.

Some other reviewers on the Web say that Saves The Day have overdone the cheerfulness on this one, but to them I say, “Lighten up!”

It’s refreshing to hear music with such positive energy. It’s not a concept album. There’s no political agenda or “screw you” to the mainstream. It’s just a bunch of guys having fun and hoping their fans will come along for the ride.

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