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Tag: fiction

Snap a Pic of CCTV

The novel We, The Watched takes place in a nation where it’s just about impossible to avoid the eye of a surveillance camera. But it might not be as sci-fi of an idea as you’d think.

A surveillance camera in Sydney
A surveillance camera in Sydney

You’ve probably seen plenty of CCTV signs and cameras around your town, too. Starting today, I invite you to watch the watchers and share your own pics of surveillance in action on my Facebook page at facebook.com/wethewatched.

Most cameras and signs are in public spaces; please DO NOT break any laws as you are snapping pics.

 

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The End

On Monday I typed those two words that are the goal post for any author writing a novel: The End.

Yes, that’s right. I have finished my second novel, Divided We Fall. As I mentioned last month, there is still some polishing to do, but I think it’s in good shape. I’m shooting to enter the novel in the Amazon Breakthrough Novel Award (ABNA) contest, which begins accepting submissions next week. After that, I will begin to circulate the novel around the publishing world. Unfortunately, I can’t tell you a release date at this point because it all depends on if it’s accepted by a publisher. I’m open to self-publishing (as I did for my previous novel, We, The Watched), but I’m going to hold off until I get more feedback from agents and publishers.

For now, here’s my current tagline for Divided We Fall:

A revolutionary and a government agent try to mend their fractured nation and reconcile a broken romance.

For more updates, please keep checking back here and also my official Facebook page.  Now, back to writing…

 

 

 

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Update on The New Novel

It’s been a while since I talked about Divided We Fall, the sequel to my novel We, The Watched. In fact, it’s been a while since I updated this blog. Sorry about that, guys. The good news is that the lack of posts is due to my focusing on writing the book–which is what you would want me to doing, anyway, right?

The new novel is going well and according to my outline I’m finally getting close to finishing! I know basically how the story is going to end and how the characters are going to get there. I estimate there are just a few chapters left to write. After that, I plan to go back over the novel and flesh out a few of the subplots where necessary. Then the editing process begins. I’m the kind of author who does a lot of editing while I’m writing, so I don’t expect to find the novel in complete disarray. However, when you’re writing in long form it’s absolutely imperative to comb through the whole thing from cover to cover. This ensures that everything is consistent, there are no plot holes, and you didn’t forget to tie up any loose ends (unless, of course, that was your intention all along).

I may have mentioned this before, but a writing program called Scrivener (released last month on Windows) has been absolutely key to my progress on this book. This is a much more complicated tale to tell than We, The Watched.  Divided We Fall is told through two points of view and across two time periods. There’s a lot of action. It’s also a love story. And boy is it epic.

I can’t wait to share it with you all.

-Adam

P.S. Check out my new Google+ page for We, The Watched.

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How (Not) to Bore a Reader

Interesting post on writing here by Dan Wilson. He was the singer of Semisonic and co-wrote top-selling songs by Adele and the Dixie Chicks.

I’ve been thinking myself lately about how two writers can have incredibly different writing styles and both be great reads. In his article, Dan talks about a writer whose talent is incredibly long-winded writing that still keeps the reader tantalized. Contrast that to someone like Kurt Vonnegut who had the talent to express some of the greatest ironies of human nature in a succinct, biting sentence like “So it goes.”

I personally tend toward the Vonnegut side of the writing scale, and it probably comes from my journalism background. I’m of the opinion you can say a lot with few words (provided you have the right words). I don’t like writing paragraphs that go on for half a page. I don’t like telling readers every minute detail. I try to give them just enough information so that they can see the scene in their heads.

But you know, that’s just what works for me. I’ve read authors who describe things in exhaustive detail and it’s brilliant (take Joseph Conrad in Heart of Darkness). And even the most succinct writing can be boring if nothing is happening in the plot.  Then again, Franz Kafka’s whole shtick is writing stories in which the protagonist never gets anywhere, and he’s a genius too.

So what is it that makes a good book? How much of it has to do with the writing style, and how much of it is the story? What makes one book boring and another something you can’t put down?

One theory I have is that a good book (or a good song or movie) strikes an emotional chord. For example, the reader relates to how the protagonist is feeling. Going back to Kafka, maybe The Trial is so compelling because it so perfectly captures that feeling of hopelessness we feel every time we wait hours in line at the DMV.

What do you think? I’d love to read your comments below.

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Now Amazons Can Read It

I’m happy to announce that We, The Watched is now available on Amazon.com and in the Kindle store! That means the ebook is now sold in the stores of all the major eReaders, including Sony, Apple and Barnes & Noble.

As a happy Kindle owner myself, this particular edition has been a long time coming. I had originally hoped to publish to Amazon through the good folk at Smashwords, but the self-publishing company has had difficulty making a deal with Amazon. Fortunately, doing it myself directly through Amazon turned out to be easier than expected. I even put together a snazzy press release to herald the news.

As with the other editions, the Kindle eBook is $2.99 on Amazon. If you’ve already read it and have a minute, please leave a customer review on the Amazon book page. Thanks for your continued support!

Update (5/3/11): Check out my new author page on Amazon.com here.

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