My next novel — The Wanderer and the New West — is getting closer to publication! A key part of that process is designing a cover, and I’m thrilled to announce illustrator Ben Mcleod will be taking on this important job.
Hailing from Manchester, Ben has created art for an array of cool clients like Disney and 20th Century Fox, working on such popular franchises as Star Wars and X-Men! Check out some of his recent work below and on his Tumblr blog.
I’ve seen some of Ben’s ideas for The Wandererand am thrilled with the direction. Can’t wait to share the cover with you when it’s complete!
After the great Snyder / Capullo run, I was skeptical of a fresh creative crew coming on board, but the new team of King and Finch really works! It’s a bit of a slow start with the initial “Rebirth” comic (which happens to be co-written by Snyder), but I raced through Batman #1-6, enjoying every minute.
King packs in the action without losing the intelligence of a good Batman comic. And whereas I felt Snyder sometimes gets a little excessive with trying to be epic, King’s narrative approach feels a little leaner and more streamlined. Finch’s art is also exceptional — it just has a real classic feel with action that’s easy to follow.
I also loved King’s superb work on The Vision, so I’m excited to find out where he takes Batman next!
Wow, Tom King knocks it out of the park again in the second half of his Vision story. This book’s got everything — a clever premise, memorable characters, beautiful art, robots with feelings… If you like sci-fi, even if you don’t necessarily consider yourself a comics fan — you owe it to yourself to read this book. King is quickly becoming one of my favorite writers in comics today.
No need to have any background on The Vision, though you’ll definitely want to start with The Vision, Volume 1: Little Worse Than A Man. Maybe watch the second Avengers movie if you want a quick take on his origin, but not necessary.
A fresh spin on Superman, this mini-series captures what it’s like to grow up feeling like an alien. It gives the Kryptonian a humanness that often gets left out of stories about the Man of Steel. The artwork varies in style with the tone of the story, showcasing some of the best artists in comics today.
The hardcover edition is beautifully presented with vivid colors and interesting extras showing original sketches and layouts. One complaint with that edition, however, is that occasionally part of the image and even text gets caught in the fold due to the way the pages are bound together.
Volume 3 loses some of the momentum of previous books, with each issue focusing on flashbacks to flesh out the backgrounds of various characters. These characters needed more fleshing out, so it’s good to get to know more about them. Also, the issues about the robots characters are particularly clever. But like season two of Lost — when it took many episodes to resolve a single, short event — this book doesn’t do much to resolve the cliffhangers from Volume 2.
Of course, it’s hard to nitpick a book that looks this good. Nguyen’s watercolors shine once more, transporting the reader to a fully envisioned sci-fi universe. And Lemire continues to do a great job mixing action, humor and the bittersweet.
Just don’t come into this one expecting much progression of the main plot.
In 1966, an indigenous Canadian boy named Chanie Wenjack ran away from the Cecilia Jeffrey Indian Residential School. He attempted a 400-mile walk home along the railroad through freezing weather, without knowing if he was even going the right way.
Through Chanie’s journey, Secret Path— an innovative combination of music and graphic novel available on Amazon as a paperback/MP3 download — illuminates a darker part of North American twentieth-century history. Gord Downie of Ontario band The Tragically Hip wrote the words and music, while fellow Canadian and breakout comic book star Jeff Lemire drew the sequential art.
The first time I experienced Secret Path, I read the graphic novel with the music on in the background. The book is short enough to read within the album’s 41-minute running time, and is split into sections by song, so it’s easy enough to take this approach. Taken together, the music and art flow together well, with the images enhancing the words sung by Downie and the mostly acoustic folk rock bringing out the emotions in Lemire’s expressive character-work.
Since then, I have listened to the album quite a few times on its own. The music definitely can stand on its own. With the additional talent of Dave Hamelin from The Stills (another Canadian favorite of mine), Downie’s album carries the listener through the emotional highs and lows of Chanie’s walk, effortlessly evoking images of the boy’s tragic walk.
And as I listened, I found myself flashing back to the beautiful artwork by Lemire. I’ve been a fan of Jeff for some time — especially his more indie work like The Underwater Welderand Essex County, but also some of his writing credits for DC Comics including Animal Man. Lemire has a unique art style that I recall actually put me off the first time I laid eyes on it. But when I pushed ahead anyway, Lemire’s haunting compositions transported me to another world. From the first page of Secret Path, Lemire makes readers feel instantly sympathetic to Chanie’s plight. And he leaves us angry with the country that let such tragedies occur.
Angry, perhaps. But also glad that these fine creators have exposed this hidden history through such accessible storytelling. It’s beyond cool to see a project with such important purpose come together into an artistic masterpiece. What’s more, proceeds from the project will be donated to The National Centre for Truth and Reconciliation.
So don’t wait — take the Secret Path. It’s a road worth traveling.
When Adam Bender’s not writing, he’s reading. Or doing other stuff, maybe. I mean, he can’t just be reading or writing all the time, can he?
But I digress (and switch suddenly to first person). Here is a selection of my latest book reviews on Goodreads. If you’re a Goodreads user, please follow me to keep updated on what I’m reading. You can even review my books if you want! The shoe is on the other foot now, eh?
Hm, that’s a weird expression. Oh well. Without further ado, book reviews! And today, a special SUPERHERO EDITION!
A visual feast for the eyes! This comic is all about style — almost like Kill Bill in book form. There’s a lot of action and not a huge amount of dialog, so the pages go by fast. The writer and artist were definitely in sync with this one, making the images feel like they’re in motion.
Warning: this is a dark, weird and blisteringly violent comic. If you’re into stuff by Frank Miller or Alan Moore, you’ll probably dig it. But it’s not for the faint of heart!
If you like a little humor with your superheroes, Ant-Man is the comic book for you. Nick Spencer killed it on The Superior Foes of Spider-Man and the spirit of that (sadly) canceled series lives on here! In fact, it’s actually kind of fitting, since Scott Lang (Ant-Man) used to be a criminal himself and doesn’t have problems working with other reformed criminals.
The story here takes a lot of unexpected turns, which adds a lot of originality to a genre that can at times feel stale. In that way, I think that Spencer, like Matt Fraction, are really doing a lot to reinvigorate superhero comics.
Of course, a lot of the humor would be lost without the great artwork by Ramon Rosanos. There’s something about the facial expressions and body positions he draws that really enhances the storytelling. A lot of the cleverness in the writing could easily be lost without Rosanos on-board.
For quite some time, I’ve been wanting to read the comic where Tony Stark has a drinking problem. Okay, that sounds kind of weird, but it’s true. This is the volume that includes the classic “Demon in a Bottle” comic.
What I didn’t realize is that it’s mainly the one issue (the last in this collection) that deals with it. The first seven issues show Tony having occasional drinks but he doesn’t really hit rock bottom until the issue before the eponymous #128. The storyline up to that point focuses on Justin Hammer messing with Iron Man’s suit. It’s a fun but not totally absorbing superhero adventure, and I felt a bit bored at times. So, if you’re just reading this for the drinking problem stuff, you might be better off buying digital single issues of #127 and #128.
That said, that last issue is pretty great. It’s pretty interesting to see a comic take on an issue like drinking and do it in a way that feels organic to the plot. Even more commendable is that the guy with the problem here is Iron Man himself! I’ve seen a lot of comics address addiction issues through sidekicks and friends of sidekicks, so it’s great to see Marvel had the guts to use one of their biggest stars.
Like the Batman and Joker volumes before it, this another great hardcover reproduction of classic Batman stories. Robin is a character with an interesting history, because he’s had so many different secret identities. Each of them reflect the times in which they were created.
In this volume, you get a bunch of classic tales, including “Robin Dies at Dawn” (he doesn’t really) and the “Death in the Family” issue where the Joker kills Jason Todd, the second Robin (he really does). The collection kind of loses steam as soon as Tim Drake comes onto the scene, which was a bit surprising because I always liked the character in the ’90s. Maybe it’s because his issues tend to deal with teenager life stuff and I’m no longer a teen.
It’s definitely worth reading if you like the character, and there’s plenty of Dick Grayson here, but I would recommend some supplemental reading to get a better feel for the other Robins. For example, there’s only single issues here from the larger story arcs Batman: A Death in the Family, Batman: A Lonely Place of Dying, and Batman and Son. It’s worth checking out these other books to get a better feel for Jason Todd, Tim Drake and Damian Wayne.
Well, that’s the end of today’s edition of Adam Bender reads … If you’ve read any of the above books, I’d love to hear your opinion in the comments below! Or let me know what books you think I should read next!
Rachel will be doing content and copy editing on The Wanderer to sharpen my prose and, generally, to keep me from looking like a hack. I’d be lying if I said comic books didn’t influence the knockabout action in my new book, and I believe Rachel’s experience with action/adventure stories will really give the novel a boost.
I completed my own edits for The Wanderer last week, and–if you’ll allow my biased opinion–it’s a fun and topical book. The story is set in a possible future won by gun evangelists and advocates for hands-off government. Plagued by shootings, this America has returned to the ways of the Wild West, a lawless land where people make their own justice.