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Author: Adam

Adam Bender is an award-winning journalist and author of speculative fiction that explores modern-day societal fears with a mix of action, romance and humor.

Bender's latest novel is Utopia PR, a speculative satire about a public-relations specialist who struggles to find work-life balance while managing crisis after crisis for a dystopian American president. It won the 2021 IndieReader Discovery Award for Humor.

Previously, Bender wrote The Wanderer and the New West, a near-future western about a rogue vigilante who seeks redemption in a lawless America that fully protects the rights of armed citizens to stand their ground. Named to Kirkus Reviews' Best Books of 2018, the novel also won gold for Dystopia in the 2018 Readers’ Favorite Awards and best Western Fiction in the 2018 National Indie Excellence Awards.

Bender authored We, The Watched and Divided We Fall in a dystopian series about an amnesiac who struggles to conform in a surveillance society where the government keeps a Watched list of its own citizens. Also, Bender has published several short stories.

In his day job as a journalist, Bender covers telecom and internet regulation for Communications Daily. He has won awards for his reporting from the Society of Professional Journalists, the Specialized Information Publishers Association, and the Society for Advancing Business Editing and Writing.

Bender lives in Philadelphia with his wife Mallika and son Rishi. He’s usually a rather modest and amiable fellow.

Learn more about the author at WatchAdam.blog and join The Underground email newsletter for news and info on Adam Bender's latest projects. Follow him on Facebook (wethewatched) and @WatchAdam on Instagram.

How (Not) to Bore a Reader

Interesting post on writing here by Dan Wilson. He was the singer of Semisonic and co-wrote top-selling songs by Adele and the Dixie Chicks.

I’ve been thinking myself lately about how two writers can have incredibly different writing styles and both be great reads. In his article, Dan talks about a writer whose talent is incredibly long-winded writing that still keeps the reader tantalized. Contrast that to someone like Kurt Vonnegut who had the talent to express some of the greatest ironies of human nature in a succinct, biting sentence like “So it goes.”

I personally tend toward the Vonnegut side of the writing scale, and it probably comes from my journalism background. I’m of the opinion you can say a lot with few words (provided you have the right words). I don’t like writing paragraphs that go on for half a page. I don’t like telling readers every minute detail. I try to give them just enough information so that they can see the scene in their heads.

But you know, that’s just what works for me. I’ve read authors who describe things in exhaustive detail and it’s brilliant (take Joseph Conrad in Heart of Darkness). And even the most succinct writing can be boring if nothing is happening in the plot.  Then again, Franz Kafka’s whole shtick is writing stories in which the protagonist never gets anywhere, and he’s a genius too.

So what is it that makes a good book? How much of it has to do with the writing style, and how much of it is the story? What makes one book boring and another something you can’t put down?

One theory I have is that a good book (or a good song or movie) strikes an emotional chord. For example, the reader relates to how the protagonist is feeling. Going back to Kafka, maybe The Trial is so compelling because it so perfectly captures that feeling of hopelessness we feel every time we wait hours in line at the DMV.

What do you think? I’d love to read your comments below.

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Kaiser Chiefs By Faded Wave

fadedwave

One of my favorite eccentric British bands, Kaiser Chiefs, have come up with a novel concept. They have just released 20 new songs and are asking fans to pick 10 of them for their new album, The Future is Medieval.  This is no election, mind you — everyone gets their own custom mix of the CD with personalized cover art to boot!  And even more mind-blowing, everyone gets to sell their custom album to the world!

To be honest, I was actually a little annoyed when I found out about all this. It was a Friday evening after a particularly long day at work. Picking ten songs from twenty, based on mere samples of the songs, seemed like a tall order. What if I left out a great song? What if that song I thought was great actually ended in three minutes of Billy Corgan screaming the letters of the alphabet?

The Future is Medieval (Faded Wave edition)

So I decided to put off making the album until Saturday morning after I’d had a good night’s rest. The result can be streamed and purchased for download at www.kaiserchiefs.com/fadedwave.

I’m happy to report that I rather like my/their album. It’s got everything — super British pop (“Problem Solved”), synthy silliness (“Heard It Break”) and even poignant balladry (“If You Will Have Me”). I think I found a great balance between the band’s fast rockers and slow grooves. But in the immortal words of LeVar Burton, don’t take my word for it.

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Now Amazons Can Read It

I’m happy to announce that We, The Watched is now available on Amazon.com and in the Kindle store! That means the ebook is now sold in the stores of all the major eReaders, including Sony, Apple and Barnes & Noble.

As a happy Kindle owner myself, this particular edition has been a long time coming. I had originally hoped to publish to Amazon through the good folk at Smashwords, but the self-publishing company has had difficulty making a deal with Amazon. Fortunately, doing it myself directly through Amazon turned out to be easier than expected. I even put together a snazzy press release to herald the news.

As with the other editions, the Kindle eBook is $2.99 on Amazon. If you’ve already read it and have a minute, please leave a customer review on the Amazon book page. Thanks for your continued support!

Update (5/3/11): Check out my new author page on Amazon.com here.

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Divided We Fall

To everyone waiting for the sequel to my dystopian novel, We, The Watched, I thought I’d provide an update with a few juicy details.

First of all, the title is Divided We Fall. I’ve been couching that as the “tentative title” for a while now, but it’s been that for long enough now that it’s unlikely to change. Besides cleverly bringing the word “We” back into the title, the title nicely captures two major elements of the story — the made-up nation’s masochistic conflict between “Patriots” and “Heretics,” and the complicated relationship between our hero Seven and the lover from his former life. Originally I was calling the sequel “The War Comes Home,” but I decided that was a bit too literal.

Here’s some trivia for you: The original tentative name for We, The Watched was “Ignited.”

Divided We Fall is divided into two parts. Each is about the same length or a little shorter than the entirety of We, The Watched. I’ve completed writing Part One and am a few chapters into Part Two. I’m planning this as the conclusion of the Seven storyline, though I’m not writing off the possibility of coming back to this world later.

Of course, if you haven’t read We, The Watched yet, you’re missing out. You can sample the first few chapters of the Kindle, Nook, iPad and PC-compatible eBook for free at Smashwords and other popular eBook stores. If you like what you read, you can get the whole thing for only $2.99 (about the price of a Starbucks coffee).

Update (4/28): We, The Watched is featured today on NewBookJournal.com!

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The Strokes Get Back Their Mojo

I’ve been trying to figure out why I haven’t loved the Strokes since their debut Is This It? It wasn’t like they sounded any less talented on their 2003 and 2006 followups.

But something was missing.

After listening to The Strokes’ excellent new album Angles five years later, I think I’ve figured it out. The Strokes got negative, man.

OK, so they weren’t exactly singing about sunshine, lollipops and rainbows on Is This It? But at least their attitude toward broken relationships and total assholes was imbued with some level of self-worth. Sure, singer Julian Casablancas was pointing out a lot of BS, but he also didn’t seem to be all too affected by it. And that was cool.

Take “Hard to Explain,” for example:

I watch the TV; forget what I’m told
Well, I am too young, and they are too old
The joke is on you, this place is a zoo
“You’re right it’s true”

But by 2006’s First Impressions of Earth, the Strokes sounded very very affected, and boy was it a bummer. Take these lyrics from “On the Other Side”:

I hate them all.
I hate them all.
I hate myself for hating them,
so I’ll drink some more.
I love them all.
I’ll drink even more.
I’ll hate them even more
than I did before.

Or how about “Ask Me Anything,” featuring a chorus in which Casablancas sings “I have nothing to say” over and over…and over….and over. And if there’s something worse than hearing the guy mutilate his vocal cords on tracks like “Fear of Sleep,” well… I don’t want to hear it.

Now here comes Angles, and I’m happy to report that the Strokes have got their mojo back. Song for song it doesn’t match the brilliance of their debut, sure, and stylistically it’s definitely different. But after a five-year absence, the Strokes actually sound happy to be making music again.

You hear it instantly on opener “Machu Picchu.” It’s a track that takes the band in a new, more reggae direction, but revives the undeniably fun Strokes arrogance that’s been missing all these years.  “Taken for a Fool” is classic Strokes, but the band shows more range than songs previous. Not every song is great — “Metabolism” could have been another mediocre cut from First Impressions — but by the end of the set I felt like I had my old friends back.

Let’s hope they’re here to stay.

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Adam Bender | adambenderwrites.com | watchadam.blog